Meet Our Founder: Richard Brendon

From mismatched table settings at family parties to designing the best in glassware, Richard’s journey has always been about enjoying Finer Dining, Every Day. His passion for craftsmanship, design, and the joy of sharing good food and drink shines through in every piece.

We sat down with Richard to hear more about what inspires him, how his collections come to life, and why Bone China is the best material for dinnerware...

Line Bone China Dinnerware

Q - We’d love to know a little more about you. What first drew you to designing the products that you do? Was there a particular moment or influence that sparked your passion for this craft?

A - Where do I even start? I suppose it all began growing up in a very eclectic family, with my mum's kitchen at the heart of it all. Surrounded by mismatched tableware and large family parties that celebrated every occasion with, let's say, a lot of enthusiasm. Since then, everything has come pretty naturally, including my passion for product design, sparked during my time studying it at Kingston Arts School, and that fire has only grown since. During my degree the concept of Reflect was born, pairing orphaned saucers with our Reflect Teacup. 

All these experiences—my love for the arts, learning about Bone China and Glassware production, and my deep connection to the food, drink, and hospitality world—are at the heart of what I do. Each collection we create is about bringing Finer Dining, Every Day. The Line Collection, in particular, is all about inspiring people to have fun with their table settings—mixing colours, being playful, and making it their own, much like the memories I have from my mum’s table at home. Ultimately, we believe hosting and dining should be pure joy, and our goal is to share that joy with the world through the finest craftsmanship.

Q - How would you describe your design philosophy? Do you prioritise function over form, or do you believe both should be equally balanced? 

A - I believe both function and form should be balanced, with neither compromising the other. Function takes a slight lead, but both must be executed to the highest possible standard, ensuring practicality without sacrificing the design. 

Our Jancis Robinson Collection is a good example of where we prioritise function over form (though still very beautiful). The Jancis Robinson Collection is the result of a collaborative cross-disciplinary partnership with world-renowned wine expert Jancis Robinson, OBE, MW. The collection originally came about in response to an everyday frustration, from Jancis, that the perfect wine glass did not exist, and white and sparkling wines were being particularly short-changed with their associated glassware not allowing their aromas and complex flavour profiles to really shine. This much-needed perfect wine glass, had to have the following essential criteria; it had to be gossamer-thin glass, putting the drinker in as much contact with the wine as possible, the stem had to be tall enough to allow a hand to comfortably swirl the glass with-out affecting the wine’s temperature, the curvature of the bowl had to maximise the wine’s surface area to allow oxygen contact, but leave enough room for the aroma to collect and linger, the opening had to be big enough to allow any nose to fully embrace the aromas of the wine, and to ensure practicality, it had to be dishwasher safe. We made it happen, and the glass is as functional as it gets.

Discover the Original Wine Glass

Q - What materials do you most enjoy working with, and how do they influence the final design of your pieces?

A - Bone china has to be my all-time favourite material—I go on about it endlessly, but for good reason. It still amazes me how many people don’t actually know what’s in it (yes, it contains bone ash, which is what makes it so strong and durable). But beyond that, it’s brighter than any other porcelain and has an incredible translucency that no other material can match. Most importantly it’s the strongest tableware ceramic that exists, it’s 30% stronger than porcelain, which means that it’s perfect for everyday use and we highly recommend people use it every day. It’s really hard to chip and although the odd accident will happen where a piece falls onto a hard floor and smashes, on the whole your bone china will look as good as it does today in 20 years time. 

People often assume bone china is old-fashioned or even worse that it is heavy, which couldn’t be more wrong. It is wonderfully lightweight. Of course I have to give credit where it is due to the incredible craftspeople in Stoke-on-Trent who keep the tradition alive. The production of pottery in Stoke-on-Trent, dates back to at least the 17th century, and still today every piece of our bone china is made to the absolute highest quality by master craftspeople in these same potteries.

Q- Can you walk us through your creative process, from the initial concept to the finished product? Where do you typically find inspiration for new designs?

A - Inspiration is all around, really. My first collection, Reflect, was actually born from the antique markets of Portobello Road, so I tend to wander through antique shops, fairs, and markets for new ideas. There’s something about the history and craftsmanship in those pieces that sparks creativity. From there, I usually sketch out ideas, considering how I can bring those old-world influences into something contemporary.

The Diamond Double Old Fashioned Glass

Q - Do any cultural or historical elements influence your work? Are there particular design traditions you admire and reinterpret in your pieces?

A - Absolutely! My work is deeply influenced by both historical craftsmanship and timeless design traditions. I admire Georgian and Art Deco design for their distinctive styles that transport you to another time, yet feel just as relevant today. I’m always looking at global influences, whether it’s the precision of Japanese craftsmanship or the boldness of Bauhaus design. The challenge is to take these inspirations and make them into something fresh, functional, and enduring, pieces that feel at home in any era.

Q - Sustainability is becoming increasingly important in product design. How do you approach sustainability in your work, whether through materials, production techniques, or longevity of design?

A - Sustainability is at the heart of everything we do. Rather than chasing trends, I focus on creating pieces that are timeless, both in design and durability, so they can be used and loved for generations.

Material choice plays a big role. We work with Bone China, which is incredibly strong and lightweight, meaning our pieces can withstand daily use rather than being replaced frequently. Our Glassware is also designed for longevity, made using high-quality, lead free crystal to ensure its resilience.

Ultimately, sustainability in design isn’t just about materials—it’s about making products that people truly value and want to keep. They are heirlooms of the future.